Remaining true to its source material was a key driver for the LEGO Art designer behind
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“When I started the development on this, we started with blocking out these big patches of colour then adding in different layers,” said LEGO Designer Stijn Oom. “We have these very smooth vertical lines that [Monet] would paint in for the trees, but mainly especially for the reflection of the water. Then we have pastel shapes and techniques on top of that layer.”

Discussing
“It’s funny because a lot of people will see impressionist paintings as a wealth of colour and Monet was really painting with light,” noted the LEGO Designer, “We have a new colour, which is exciting, used in some of the vertical brush strikes. It’s blue violet and it works perfectly for some of the colours snuck in the reflection of the willow and the poplars.
“We really tried to get [the painting’s] diagonal-like streak of light coming in from the top and hitting the bridge. You’ll see this when building is that on the top of the bridge, we also showcase highlights of light coming and just drooping down.”
That same selective choice of which colours to use in
“What was a really exciting challenge was to work with all the different colours we have,” Stijn added. “Monet had the opportunity to mix all of his colours. He could create an infinite amount of different shades and hues and we don’t have that. We had to select the colours in our palette and create something that is very true to the essence of the actual painting, and I think we got really close.”
Visitors to the Metropolitan Museum of Art can also get up and close with a near life-size brick-built version of Monet’s masterpiece. The Met Store is currently hosting a 60,000-piece recreation of the iconic painting, one that was assembled by artist Nathan Sawaya and should make for the perfect selfie moment.
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